Academic Staff
張貝安吉博士
研究助理教授
中國現代文化史、群眾美術、集體創作、中國現當代文學、後社會主義的思想史、中國當代藝術編史
- HJ623
- +852 3400 3164
- angie.baecker@polyu.edu.hk
簡歷
張貝安吉博士致力研究中國現代和當代物質與文化史，更專注於中華人民共和國社會主義時期的作品。她的研究興趣涵蓋大眾美術、業餘美術創作、文革時期的物質文化和當代中國的後社會主義思想遺產。目前，她正籌備最新的著作《被工人、農民、士兵耽誤的藝術家：社會主義時期的大眾美術之史》，用業餘美術工作者的角度探討毛澤東時代對美術界的藝術性試驗。除了從事學術研究之外，她亦對不少當代藝術撰寫評論。
學歷
- 美國密西根大學亞洲語言文化系博士
- 清華大學中文系現當代文學碩士
- 加州大學柏克萊分校比較文學文學士
學術和專業經驗
- 香港大學藝術史系講師
研究興趣
- Worker, Peasant, Soldier, Artist: Mass Art in Socialist China (under preparation)
- “Industrial Printed Cotton Design and the Socialist Mode of Ornamentation, 1955-1979,” with Courtney Wilder (under preparation).
- “Amateur Art Practice and the Everyday in Socialist China,” Made in China Journal Vol. 5, 1 (Jan-Apr. 2020): 80-7.
- “The Hu Xian Peasant Art Exhibition” in Socialist Exhibition Cultures, eds. Sven Spieker, Polly Savage, Bojana Videkancis, Christine Ho, Vladimir Seput, and Tomas Glanc. Toronto: U. of Toronto Press, under review.
- “The Blank Exam: Crises of Student Labour and Activism in the late Cultural Revolution film Juelie,” in Proletarian China: A Century of Chinese Labour, eds. Ivan Franceschini, Kevin Lin, Nicholas Loubere, and Christian Sorace. New York: Verso Press, 2022.
- “Cultural Revolution Films and Their Production History,” in Teaching Film from the People’s Republic of China, eds. Zhuoyi wang, Emily Wilcox, and Hongmei Yu. New York: Modern Language Association, 2024.
- China and Inner Asia Council Research Travel Grant, Association for Asian Studies, 2021.
- Arts Writers Grant, The Andy Warhol Foundation, 2020.
- Dissertation Fellowship, Lieberthal-Rogel Cener for Chinese Studies, University of Michigan, 2019.
- Residential Fellowship, Sweetland Center for Writing, University of Michigan, 2019.
- Rackham Dissertation Fellowship, Rackham Graduate School, University of Michigan, 2018.
- Riecker Graduate Student Research Fellow, Center for the Education of Women, University of Michigan, 2017.
- Rackham Research Grant, Rackham Graduate School, University of Michigan, 2017.
- Hide Shohara Fellowship, Asian Languages and Cultures, University of Michigan, 2014.
- Rackham International Travel Grant, Rackham Graduate School, University of Michigan, 2013.
- Doctoral Fellowship Grant, Lieberthal-Rogel Center for Chinese Studies, University of Michigan, 2013-2018.
- Friends of Tsinghua Guanghua Scholarship, Tsinghua University, 2012.
- Beijing Municipal Government Foreign Student Scholarship, Beijing City Government, 2011-2013.
- “Amateur Creativity in Socialist China and on Digital Platforms” roundtable session, Association of Asian Studies, Seattle, Mar. 2024.
- “Mass Art as Mass Labor: The Entanglement of Production and Painting, Construction and Cartoon, c. the late 1950s” in the workshop “Participatory Knowledge Production in the Great Leap Forward,” University of Massachusetts, Amherst, Feb. 2024.
- “Guiding Teachers and the Masses: The Amateurization of a High Socialist Export Art,” in the workshop “The Proletarian Promise: Materialism in 20th Century East Asia,” National Sun Yat-sen University, Apr. 2023.
- “Collaborative Pedagogies for Amateur Art: Peasant Art and the Creation of a Socialist Visual Vocabulary in the People’s Republic of China,” in the panel “Toward a Global Theory of the Socialist Amateur,” College Arts Association, New York, Feb. 2023.
- “Toward a Theory of the Socialist Ornament: Industrial Printed Cotton Design in Maoist China,” with Courtney Wilder in the panel “Textile Modernity: The Material Cultures of Textile Production in Modern China,” Association of Asian Studies, Boston, Feb. 2023.
- “Soldier Sentimentality: Production and Military Social Relations in Socialist Amateur Art Practice,” in the panel “The Military in/and/as Modern Chinese Culture,” Association of Asian Studies, Hawaii, Mar. 2022.
- “High Socialist Toile: The Industrialization of Printed Cotton Textile Design and the Emergence of a Decorative Imaginary in the People’s Republic of China, 1950s to 1980s,” at the workshop “Chinese Socialism in/as Theory: Political Economy in Revolutionary China,” American Council of Learned Societies, May 2022.
- “Consolidating the Contemporary: The Socialist Origins of ’85 New Wave Group Art Practice” in the panel “Confounding Existing ‘Etiquettes:’ Probing the Institutions for Contemporary Visual Art in the Global East,” International Institute for Asian Studies 12, Kyoto, Aug. 2021.
- “Conspiracy Film Criticism and the Gang of Four as Cinematic Auteur,” in the panel “From Socialist Utopias to Post-Revolutionary Consensus,” European Association for Chinese Studies, Heidelberg Aug. 2021.
- “Amateur Art Practice in Socialist China” in the panel “Revisiting the Amateur in Twentieth- Century East Asia: Cinema, Photography, and Art,” Association for Asian Studies, Denver, Mar. 2019.
- “Laboring Medicine: Barefoot Doctors and Revolutionary Cultures of Medical Practice in the P.R.C.,” in the panel “Medical Expertise during Historical Transition in Twentieth-Century China,” American Association for the History of Medicine, May 2018.
- “Barefoot Doctors and the New Medical Cultures of the Cultural Revolution,” China Between Worlds, Lieberthal-Rogel Center for Chinese Studies, University of Michigan, May 2017.
- “Max Weber and Reform-Era China” in the panel “Thinking Economics in Twentieth-Century China,” AAS- in-Asia, Academia Sinica, June 2015.
- “An Intellectual History of Max Weber in Reform-era China,” in the conference “Max Weber and China: Culture, Law, and Capitalism,” School of Oriental and African Studies, University of London, Sept. 2013.
- “Mansudae in Africa,” in the workshop “Vrysheidspark and Other Governmonumentalities: A Walkshop,” University of South Africa, Sept. 2011.
- “Toward a Global Theory of the Socialist Amateur: Collective Pedagogies, Nonaligned Modernism, and Postsocialist Legacies in China, Yugoslavia, and India,” with Katja Praznik, Sanjukta Sunderason, and Bojana Videkanic (discussant), College Art Association, New York, Feb. 2023.
- “Textile Modernity: The Material Cultures of Textile Production in Modern China,” with Viviane Chen, Robert Cliver (discussant), Courtney Wilder, and Yuan Yi, Association for Asian Studies, Boston, Feb. 2023.
- “The Military and/in/as Modern Chinese Culture” with Xiaomei Chen (discussant), Belinda Q. He, Dylan Suher, and Lawrence Zi-Qiao Yang, Association for Asian Studies, Honolulu, Mar. 2022.
- “From Socialist Utopias to Post-Revolutionary Consensus: Dismantling the ‘Gang of Four,’” with Benjamin Kindler and Mei Li Inouye, European Association for Chinese Studies, Leipzig, Aug. 2021.
- “Revisiting the Amateur in Twentieth-Century East Asia: Cinema, Photography, and Art,” with Shota Ogawa, Stephanie H. Tung, and Alexander Zahlten, Association for Asian Studies, Denver, Mar. 2019.
- “Medical Expertise during Historical Transition in Twentieth-Century China,” with Joshua Hubbard and Pei-ting C. Li, American Association for the History of Medicine, May 2018.
- “Place and Being: Lui Shou-kwan and the Political and Ecological Crises of Abstraction in Hong Kong,” Art and Media Studies, Fulbright University Vietnam, Saigon, Oct.10, 2022.
- “Contradictions and Converging Spatial Complexes in ‘M+ Sigg Collection: From Revolution to Globalization,’” HKU Fine Arts and Art History Alumni Association, Apr. 2022.
- “The Blank Exam: Crises of Student Labor and Activism in the Late Cultural Revolution Film Juelie,” Department of Chinese History and Culture, Hong Kong Polytechnic University, July 2021.
- “The Laboring of Art: Socialist Amateur Art Practice and the Arrival of the Contemporary in the People’s Republic of China,” in the Cultural Management Online Lecture Series, Faculty of Arts, Chinese University of Hong Kong, Dec. 2020.
- “Expertise and the Cultural Revolution: Making Sense of Barefoot Doctors.” Grupo de Estudios del Este Asiático, Universidad de Buenos Aires, Mar. 2017.
- “The Contemporary in China: A Case Study in Art,” Summer in Beijing Program, College of William and Mary, Jul. 2013.
- 陳又津《跨界通訊》，《Books from Taiwan》2018年第8期，34-9頁。
- 楊富閔《花甲男孩》，《Books from Taiwan》2017年7期，40-5頁。
- 楊渡《九天九夜》，《Books from Taiwan》2017年第6期，22-6頁。
- 李銀德《徐州西漢楚王陵的發現與收穫》，《王陵瑰寶：中國漢代考古新發現》（Tomb Treasures: New Discoveries from China’s Han Dynasty），舊金山：亞洲藝術博物館，2017年，27-8頁。
- 利瑪竇《坤輿萬國全圖》和南懷仁《坤輿全圖》，亞洲美術博物館互動網站，2016，http://ricci.asianart.org/，http://verbiest.asianart.org/.
- 王林《作為歷史見證的圖像繪畫——許唯辛與檔案現實主義》，《許唯辛：巨大肖像》(Xu Weixin: Monumental Portraits)，安納堡：密西根大學美術館，2016年。
- “Anxiety Aesthetics: A Conversation with Jennifer Dorothy Lee,” Made in China Journal, Jun. 2024.
- Review of Material Contradictions in Mao’s China, eds. Jennifer Altehenger and Denise I. Ho, Seattle: U. of Washington Press, 2022. In The PRC History Review, No. 64, Feb. 2024.
- “Socialist Art from China, Remade in Michigan,” CityLab, Feb. 21, 2018.
- “In Defense of Difficult Art at the Guggenheim’s Controversial Exhibition,” Vulture, Oct. 17, 2017. Republished on Slate.
- “Zhao Zhao: The Young Pretender,” The New Statesman, Oct. 19, 2012, pp. 73-4.
- “The Culture Interview: Ai Weiwei,” The New Statesman, Oct. 19, 2012, pp. 60-3.
- 《黃漢明：情景戲劇與混生現實》雙語出版物，戴偉平翻譯，《藝術界》2011年第10期，142-9頁。再版，《性別：當代藝術檔案》（Sexuality: Documents of Contemporary Art）阿米莉亞・瓊斯（Amelia Jones），劍橋：麻省理工學院出版社，2014.
- 《空虛的紀念碑》，《 藝術亞太》（ArtAsiaPacific）2011年第72期，63-4頁。三國語出版物，由於編輯翻譯。
- 《能指與所指：李松華的藝術》，《视觉生产》（Visual Production）2007年第5-6期，135-41頁。雙語出版物，由於編輯翻譯。再版《關鍵時刻——新媒體與裝置》（Critical Moment: New Media and Installation）上海：OV畫廊，2008年，48-9頁。
- Reviewer. Journal for Visual Art Practice. 2024.
- Reviewer. Critical Arts. 2023.
- Reviewer. Asian Studies Review. 2022.
- Reviewer. Feminist Media Studies. 2022.
