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The Story of Hong Kong: Neon Sign

It starts from the night that Brian Kwok and Kiki Yau of the Information Design Lab went out to witness and capture the moment that an aged neon sign was torn down from where it has been for decades. The documentary ‘The Story of Hong Kong (香港故事 - 追尋人生:霓虹黯色)’ produced by RTHK followed the team from Hong Kong to Japan on how they conserved the disappearing Hong Kong’s neon signs, the meeting with different neon sign craftsmen and their exhibition of neon sign artworks and typography in Kyoto.

1 Apr, 2020

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Interview with Emily Tang, Co-founder of Studio Doozy Limited

Featured Alumnus: How's our 2015 BA graduate doing? Interview with Emily Tang, Co-founder of Studio Doozy Limited     DC: Design Channel ET: Emily Tang (2015 graduate of BA(Hons) in Design (Industrial & Product))   DC: What have you been doing after graduation?   ET: After graduation, I had the opportunity to work for a start-up company in Hong Kong, where I got to learn about a mixture of design disciplines. Other than design-related skills, I also experienced the day to day operations, people management, and customer service of a start-up company. This gave me a glimpse and mental preparation (or at least I thought) in what it takes to start a company. That same year after graduation, I, fortunately, won the Hong Kong Young Design Talent Award and had the opportunity to work at Roca's headquarters in Barcelona as their product designer in their Advanced Toilet Technology Department. In stark contrast to my previous working environment, as I was working in a company with a lot more structure, Roca gave me great insight into the pros and cons of a start-up and a well-established cooperate setting. The most valuable knowledge from this working experience was the opportunity to be a part of the design process of their upcoming smart toilets from concept to manufacturing. After coming back to Hong Kong, my partner Joan Calduch Ferran and I co-founded Studio Doozy Limited, where we combined our design and technology skills to create all-inclusive healthcare and lifestyle products to enrich people's lives.  Emily and her partner Joan Calduch Ferran co-founded Studio Doozy Limited.    DC: What's the product you have developed recently? Is it related to your final year project, Libue?  ET: The primary mission of Libue was to provide a higher quality of living for my Grandfather as he had Parkinson's disease and required assistance to use the toilet. On the same token, all the new products we are working on in Studio Doozy is also about enriching human's lives and creating an all-inclusive environment for people with or without mobility limitations. We have been focusing on the bathroom space, as this is one of the areas where many accidents are recorded. We have been further developing "Libue," and after various user engagements, we came up with the second generation design, which is now called "Violet." We also have a few projects with the same mission in the pipeline.  Libue, the toilet designed for Parkinson's disease patients and their families, 2015 Violet is the second generation of Libue which provides an all-inclusive environment for people with or without mobility limitations. (click here to read how it works)   DC: What are the fundings you have received? To what extent have these fundings helped start your business and maintain its operations?  ET: We have received two main fundings for Studio Doozy so far - The Hong Kong Design Centre’s Design Incubation Programme (DIP) and the PolyU Micro-Funding. DIP had given us a great head start by providing us with free office space for the first year (second year HKD$4000) in a well-located and new building in Wong Chuk Hang. We also got support for office equipment, promotional and training expenses. PolyU Micro Fund offered us with a milestone based funding that helped accelerate our prototyping process and provided us with excellent mentors that understood the current start-up space very well and were very willing to guide and give us constructive feedback. Both funding programmes had given us an excellent opportunity to learn about what it entails to start a company, supported us with resources to reduce our expenses in the first two years, and allowed us to focus on execution. It gave us a great foundation to maintain our operations in the long-term.    DC: Are there any challenges your company now facing? And what are the opportunities you are anticipating?  ET: At this moment, the biggest challenge is finding the right manufacturing partner. For us to be able to move onto the next stage of our business - commercialisation, we need a reliable manufacturing partner that can help us realise and bring our prototypes to mass production. We are anticipating one of our product launches by the end of 2020 and cannot wait for our designs to be out in the market to provide more opportunities for people of all ages to age and live better and safer at home.    DC:  Is there anything special you learned from the work placement at Roca and still benefiting your work these days?  ET: Everything I learned during my work placement at Roca had and is still benefitting my work and company development these days. As Roca didn't have an in-house designer when I started working there, it was an excellent opportunity for me to explore the role and also to see what I could bring onto the table. I also learned what it takes to communicate and work together in a big team that comprised of the project leader, electronic engineers, mechanical engineers, and even a law consultant. To be able to witness and be part of their upcoming smart toilets' development allowed me to understand the design ideation and realization stage better and to find the right manufacturing partner.    DC: Why did you choose PolyU Design and Product Design for your undergraduate studies? Did the programme fulfill what you had expected?  ET: I grew up with my grandparents, and I have always found that the inevitable mobility limitations of aging can always affect one's quality of living. For this reason, I have had a lot of ideas but never had the skills to realize them. I had this thought that if I could practise product design, then I could get the best of both worlds - realising my ideas into functional and aesthetically pleasing solutions. When I was applying for university, PolyU was known for its design school, and so I applied and fortunately was accepted. When I came in, I had classmates that had already studied product design for three years prior, and with my close-to-zero knowledge, my classmate's competence motivated me to work harder to catch up. For this reason, the first year was a lot of independent practical learning. From PolyU, I was able to learn the basics for practical knowledge to know what I had to study at home but also the theoretical side of design thinking and applying that thinking into an executable manner.  The first prototype of Libue was being made for showing at the Annual Show where Emily was selected as one of the Best of Show exhibitors.   DC: What is your advice for young design graduates/design students?    ET: Our elder generation and societal beliefs have always been telling us that design is not a real profession, and it is easy to be discouraged unless you are a "star" designer. However, something I found after graduation is that practising design, in general, allows us to not only have problem-solving skills but on top of that observation and empathy that many professions do not utilise as frequently. I believe that empathy is a skill that requires a lot of practice and with it, you can achieve a lot more when solving problems. Product design is a process of constant iterations based on our target end-users' feedback. It is an art that requires us to understand our target end-users' daily routines fully on a physical and emotional level. Then another layer is to try to integrate our solutions seamlessly into their daily lives. Although I am still learning to be better at these skills every day, I have realised they come useful in many other aspects in life - whenever problem-solving is required. So my only advice is don't let tradition and culture discourage or hold you back. If this is your passion, and you always remind yourself to stay curious and empathetic, there will always be a lot of opportunities out there. And if this might be a passing phase of your life, at least you have learned and practised some valuable skills that will always come in useful in other aspects of life.       Awards:  SCMP The 5th Spirit Of Hong Kong Awards Innovating For Good Award September 2017 CreateSmart Young Design Talent Special Award 2015 October 2015 James Dyson Award National Winner, Hong Kong July 2015     Read more: Meet The 23-Year-Old Hong Kong Entrepreneur Redesigning Toilets For Parkinson's Patients (Forbes, 26 Dec 2017) Innovative Hongkonger designs a new toilet for sufferers of Parkinson’s disease (South China Morning Post, 23 May 2017) 智能坐廁惠及長者 (Studio Doozy鄧曉瑩)  (StartupBeat, 7 Feb 2020) 騎馬式座廁 讓柏金遜症患者更有尊嚴地獨自上洗手間 (夠POP/#496 metropop)

20 Mar, 2020

Interview

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The 14th School of Design Students' Association - Dadeni

We have much pleasure in announcing the newly inaugurated Executive Committee of the 14th School of Design Students' Association - Dadeni. The members include: President - Foster (Product Design Year 1) External Vice President - Ryan (Product Design Year 1) General Secretary - Jocelyn (Environemt & Interior Design Year 1) Financial Secretary - Jamie (Advertising Design Year 1) Internal Secretary - Lyrics  Amenities Secretary - Polar (Environemt & Interior Design Year 1) Recreational Secretary - WS (Product Design Year 1) Welfare Secretary - Kit (Environemt & Interior Design Year 1) Publication Secretary - Celia (Advertising Design Year 1) Promotion Secretary - Cathy (Communication Design Year 1) Promotion Secretary - Caleb   Facebook: 理大設計 14th School of Design Students' Association - Dadeni Instagram: hkpusu_sdsa

12 Mar, 2020

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PolyU Design rises to 15th on 2020 QS World University Rankings® by Subject - Art and Design

We are thrilled to announce that PolyU Design has moved upwards to be the 15th on the latest QS World University Rankings® by Subject - Art and Design.  As the world goes through demanding times with environmental and social challenges, the role of designers has also become ever more critical.  We are grateful for our faculty and students' work in these areas, and look forward to welcoming more talents to join us soon!   01234567   Celebrating a fruitful year ‘S/ASH/IVING’ is an Architecture Masterprize & IFI GAP Gold winner    

5 Mar, 2020

Digital Media and ITC students produced music video for Cantopop star

Celebrating a fruitful year ‘S/ASH/IVING’ is an Architecture Masterprize & IFI GAP Gold winner      Students from PolyU Design’s Digital Media (BADM) programme and Institute for Textiles and Clothing (ITC) were engaged in a reality show called ‘Project X’ by RTHK 31 where they worked with the Cantopop singer Mr Ng Yip Kwan (吳業坤  or nicknamed Kwan Gor/ 坤哥) to produce the music video for his new song. Their tasks ranged from storyboard, camera, lighting, editing, styling, costume design, to casting. It was a great learning experience for the students as they handled real life client from the entertainment industry.    The music video was finally adopted by the music company for the song’s official release and Kwan Gor praised the students for their professional delivery.   Four members from BADMinclude Rachel Manwai Lai, Hoi Ling Au, KhaiHin Mak, Kwok Yu LamIvan.    「玩具成熟時」MV Watch the show (in Chinese)   

4 Mar, 2020

Extension of Application Deadline for International (Non-JEE) Admission, BA Scheme

The application deadline for international students (non-JEE) for the BA(Hons) Scheme in Design 2020/21 entry is extended to 29 April 2020. For details and application, please click here. Portfolio guidelines

29 Feb, 2020

MDes: Targeted Taught Postgraduate Programmes Fellowships Scheme (2020/21) offers subsidy up to HK$120,000

MDes: Targeted Taught Postgraduate Programmes Fellowships Scheme (2020/21) offers subsidy up to HK$120,000

28 Feb, 2020

PolyU designs 3D-printed eye shields and face shields for frontline medical staff

In the light of the sudden surge in demand for personal protective equipment (PPE) from frontline medical staff, PolyU has been collaborating with Hospital Authority to design and produce 3D-printed eye shields and face shields. PolyU mobilised all its 3D printers in its University Research Facility in 3D Printing (U3DP) to produce 700 pieces of eye shields for QEH in 10 days, the University has also designed and made 800 new face shields for the Hospital Authority (HA) in five days. PolyU Design is proud to be part of the project to help improve the fit and comfort of the design and solve sizing problem by using our research output of 3D Chinese head and face studies from the Asian Ergonomics Design Lab. Read more: Press Release News reports: The Polytechnic University lab 3D printing face shields for coronavirus-battling Hong Kong hospital workers (South China Morning Post) 理大「度身」製醫護面罩 更貼港人頭形 (明報) 理大以3D打印技術研發防護面罩 今日起日產一萬件 (香港電台) 理大研製新醫用面罩 本地製造商今起每日產一萬個 (Now 新聞)   (top photo from left: Prof Man Hau-chung, Dean of Faculty of Engineering, Prof Alex Wai, VP(Research Development) of PolyU, Yuen Woon-wah of Chief Infection Control Officer Office. bottom right photo from left: Dr Tina Luximon, Leader of PolyU Design's Asian Ergonomic Design Lab, and Prof Man Hau-chung)

25 Feb, 2020

In-situ Project builds a Museum of Everyday Life and a School for Handicrafts for the Dong minority in Hunan

The Museum of Everyday Life and a School for Handicrafts completed in 2019 is a result of research based design project conducted by In-situ Project run by Kuo Jze Yi and Peter Hasdell, with project assistants Xing Xiao Bao, Liang Cheng Quan, in a collaboration between PolyU School of Design, Shenzhen University School of Architecture and the Lvgeng Social Work Development Center. The facility for the Dong minority community (also known as the Kam people 侗族) is situated in the Dong Lei village, in Hunan Province in China. In spring 2019, the village community decided to initiate a Community Cultural Classroom. The project aimed to exhibit local artifacts and their history, whilst hosting story telling events and organising cultural exchange events for visitors and tourists. In-situ Project with Lvgeng worked with villagers in a participatory design process employing a series of co-design workshops and community engagement events. These coordinated and integrated design processes including: the registration of local crafting techniques with the elderly village women-folk; artifact use and crafting documentation and book design with 10 village youths who interviewed and documented stories from the villager elders; exhibition method and design with the elder woman-folk of the village; and donation of timber and coordination of elder village men-folk and carpenters in the building of the Museum of Everyday Life and a School for Handicrafts in the existing village hall. The key achievement of the project was to encourage villagers’ participation on many levels, aiding the village cohesion and integration across gender and generation. The development of locally run programmes for the Community Cultural Classroom, enables villagers to strengthen their local culture and the uniqueness of Donglei village.  Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project Donglei Cultural Classroom project     Some of In-situ Project’s other works can be found on Instagram. Credits  Participating Villagers: 石友浓、杨彦盛、吴友花、莫换引、杨凡芝、吴永丰、莫婄少、吴跃海、杨行花、杨田引、 石婄花、杨祥鸾、杨秀雄、莫香美、莫庵鸾、杨鸾爱、杨先引、石平安、杨云凤、杨浓恋、 莫平妹、杨成妹、莫婄花、杨祥故、杨昌生、杨笑枝、吴坤兰、姚翠春、杨凡花、杨引兰、 杨婄浓、吴婄小、龙婄红、杨奉军、吴秀引、杨鲜花 粟开凡、吴祥林、吴远松、杨行岩、莫婄艳 Carpentry Masters: 石平生、杨行岩  Social Worker: Lvgeng Social Work (杨菁、刘云、杨孟枝、甘传)  Design Team: In-situ Project (Xing Xiao Bao, Liang Cheng Quan, Kuo Jze Yi, Peter Hasdell), Shenzhen University School of Architecture and Urban Planning and PolyU School of Design  Funding Support: Huaihua Civil Affairs Breau “Three District Plan” (三区计划)

24 Feb, 2020

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‘S/ASH/IVING’ is an Architecture Masterprize & IFI GAP Gold winner

Congratulations to ‘S/ASH /IVING’, a project designed by our recent Environment and Interior Design graduate TAM Kwan Yiu Koko, on receiving several regional and international awards! The latest good news is received from this year's IFI Global Awards Program (IFI GAP) where Koko is named the Gold winner of the Student Category. The project was selected by the international jury members from 563 outstanding entries across 38 countries and regions.  The project is also the Prize Winner in Architectural Design / Mixed Use Architecture, Architecture Masterprize 2019; Best Interior Design, A&D Trophy Awards 2019 (full story); and Silver of the Student Category, 2019 APIDA.   The project is to design a place for individual millennial professionals (slash career workers). It should ideally be highly flexible, self-sufficient and sharable. It caters for the usages for different times in a day while introducing a sharing economy of furniture, space, and services. People no longer identify weekdays and weekends, as their jobs cover 24 hours, hence the change of spaces will be according to their needs. Transformable building parts are controlled by an app. Users may select their available timeslots for events, leaving this a multi-functional Workplace x Residential building. 'S/ASH/IVING' is set for the Yue Man Building, Kwun Tong, Hong Kong. Koko’s supervising tutor is Peter Hasdell. ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko ‘S/ASH /IVING’ by Tam Kwan Yiu Koko      

19 Feb, 2020

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